Damask Tumblr Themes

atavus:

Herbert James Draper - Pot Pourri (Detail), 1897

reblogged from phobs-heh | 4 days ago | 3,900 notes | reblog |

Nicolas Delort

reblogged from pogonabarbata | 2 weeks ago | 1,894 notes | reblog |

belaquadros:

Reverence

Manuel Nuñez

reblogged from alextooth | 2 weeks ago | 29 notes | reblog |

alextooth:

Chapter 5, Panel 30 by *daniellieske

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artmonia:

Victo Ngai.

reblogged from alextooth | 1 month ago | 1,773 notes | reblog |

artmonia:

Lost in (Negative) Space and Crowds | Rafael Alvarez.

reblogged from artmonia | 1 month ago | 1,078 notes | reblog |

dayjobillustration:

Here is Peter’s image for Secret 7”, a fantastic organisation that set up a competition for a chance to be in an exhibition full of 7” record sleeves that illustrate 7 selected popular musician’s singles all to raise money for this year’s charity Art Against Knives. Day Job were kindly asked to submit an image each. Find more information about secret 7” and see their entire collection of 700, thats 100 artists per record with well known names such as Ai WeiWei and Gilbert and George!!
secret-7.com

The sleeves are on show this weekend at Mother, London, and go on sale on Record Store Day Saturday 20 April (next week!) 

reblogged from jennathings | 1 month ago | 2,496 notes | reblog |

theartofanimation:

Jon Hodgson

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theartofanimation:

Jon Foster

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mumblingsage:

kawabiala:

vintagegal:

“La Belle Dame sans Merci” by Frank Dicksee, 1902

This picture is fascinating to me because of its portrayal of a powerful female character who doesn’t fall into any of the typical modern ‘Strong Female Character’ cliches.

The woman is the powerful, sexually assertive and threatening figure here, while the man is the more passive figure, visibly vulnerable to her. However, this portrayal of a woman as assertive and powerful doesn’t rely either on sexualizing her or on presenting that power in masculine ways.

This Belle Dame is traditionally feminine, drawn in flowing lines and curves. She is sexually assertive but not sexualized. The man is armed, masculine, stiff and drawn in straight, square lines - all stereotypically masculine, but his body language and expression make it obvious that he is the submissive and less powerful party here. His vulnerability is not expressed by de-masculinizing him, just as her power is not shown by making her any less feminine.

Some modern artists could stand to take lessons from Mr Dicksee.

The way her small hands grip that warhorse’s reins with such perfect strength and control never ceases to amaze me.

reblogged from nondesignated | 1 month ago | 19,021 notes | reblog |